Bob Moses, Days Gone By
I think I would love any Brooklyn duo who name themselves after New York's great, but deeply flawed, master builder. But these guys actually deliver the goods with a smooth take on deep house and electro-pop that is the perfect sound for changing seasons.
For me it recalls Rhye's staggeringly beautiful Woman from 2013. Like that disc, Days Gone By has a warmth and humanity perfectly communicated by its album cover: these are love songs.
"Too Much Is Never Enough" is my favorite cut. On headphones, this is the stuff of daydreams; playing through your house, you're in clubland.
Last one in McCarren Pool is a rotten egg.