The long shadow of Brian Wilson hangs over this duo, a Baltimore pair that has been recording since 2004 and now sits in the center of the genre known as "dream pop." It's a big, lush sound, full of harmony and vocal wash. Boomers, there are echoes of George Harrison, ELO and the Zombies and later, Dream Academy's Life in A Northern Town. Everybody else, you know this sounds as kin to Panda Bear, Animal Collective, Sigor Ros, Deerhunter, Camera Obscura, Atlas Sound, Grimes, my recent faves Chairlift and Tennis -- oh, for God's sake it's everywhere. Haven't you been paying attention?
This stuff plays with contrast, just like Wilson's best: the sunny melody that wraps up a lyric about loneliness and alienation. (And who doesn't love a dollop of irony with their pop?) But forget about narrative, these songs are all about mood:
Face it, right now this sound epitomizes the antithesis of rap -- there's not a hip-hop bone in its body. But as Beach House puts its across, it's not slack. It has tension and a certain muscularity that's revealed in this live version of Wild:
Earlier Beach House disks felt, well, washed out. This one has cohesiveness and heft. I'm moving in for the summer.
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