Life is complicated and busy. Did you notice? Keeping up with the music, movies and books that fed your youthful imagination and conversations is harder than ever, but even more important. Here's the good news: there's never been more great new stuff. The challenge is to find it.

So here are my highly opinionated views on sounds, sights and words that will help you keep it fresh and real, and links to the veins where the richest motherlodes can be found.

Feed your head.
- JumpingFlashJack

Thursday, December 31, 2015

Best Singles of 2015

The infectious stuff I couldn't get enough of in 2015:











The Weekend, I Can't Feel My Face - MJ should sue.


The Chemical Brothers, Wide Open -  Beck's coming with us. Put the top down.


Carly Rae Jepson, Run Away With Me - The "Call Me Maybe" girl could secretly be Grimes.


Boxed In, Mystery - Everybody, double time.


Ryley Walker, Primrose Green - This must have been left off the Dead's "Europe 72."


Eryka Badu, Cel U Lar Device - She's covering Drake's Hotline Bling, but in her Badu way.


City and Color, Lover Come Back - Heartbreak in technicolor.


El Vey, Return to the Moon - Matt Berringer in a rare lighter moment.


Alabama Shakes, Don't Wanna Fight - A nasty little groove with a Stones "Black and Blue" era bite.


Matt Simons, Catch and Release - Pure pop pleasure.



Jamie XX, Loud Places - "I feel music in your heights." The peak.




Wednesday, December 30, 2015

Best Albums of 2015

In a year of some strikingly original music, the choices seemed somehow easier this year.  My musical DNA is on display in all these albums:  the long shadow of Prince and Sly; the pulse of early electronic sounds by Kraftwerk and Eno; the pounding noise of the Clash and the Ramones;  and the California pop of the Beach Boys and mid-period Fleetwood Mac.  It's all in the mix, made endlessly new to make the world understandable -- and danceable.

In no particular order:

Tame Impala, Currents - An irresistible blend of R&B and electronica proving once again that we're all from somewhere else originally.


Deerhunter, Fading Frontier - The perfect melancholy of the Beach Boys "In My Room," except that now there's weed and the internet in the room.



Sleater-Kinney, No Cities to Love - Hunger makes them modern girls.




Bob Moses, Days Gone By - Like floating on a raft in a swimming pool, McCarron Pool in Brooklyn that is.




Father John Misty, I Love You Honeybear - If this generation has a James Taylor, it might be him.




Lizz Wright, Freedom and Surrender - If this generation has a Roberta Flack, it might be her.



Thundercat, The Beyond/Where the Giants Roam - Sixteen minutes of perfect trip-hop, from the Flying Lotus branch of the tree.



D'Angelo and the Vanguard, Black Messiah - Searing and salving, D'Angelo came blazing back.



Courtney Barnett, Sometimes I Sit and Think, Sometimes I Just Sit - Because the best rock has a sense of humor. 

Jaime XX, Colours - The DJ/producer/percussionist as auteur, visionary as Jimi Hendrix at his peak.  No shit, really.


Stay tuned: best singles of 2015 coming right up.

Thursday, December 10, 2015

Sitting In

Ta-Nehisi Coates, Between the World and Me

After it won the National Book Award in November, it can't be news to you that Coates has written a sobering book about what it means to be a Black American in 2015.  It's time to read it.

I devoured it in August in a five hour fever dream and was at a loss.  It's a complex work full of anger and pessimism, a tale of promising lives cut short even when you play by the rules.  Composed as a letter to his 15 year old son, there's not much light and even less hope.  What could I do with this?  "Live with it," turned about to be the answer.

Now with campuses across the country having a noisy conversation about race, Coates' missive offers some much needed perspective about the institutionalized inequality we have yet to address. Don't be making that face.  Listen for a minute.